Film Language: A Semiotics of the Cinema
| Author | : | |
| Rating | : | 4.39 (766 Votes) |
| Asin | : | 0226521303 |
| Format Type | : | paperback |
| Number of Pages | : | 286 Pages |
| Publish Date | : | 2016-07-12 |
| Language | : | English |
DESCRIPTION:
The first book to be written in this field, Film Language is important not merely because of this primacy but also because of the issues it raises issues that have become crucial to the contemporary argument."—Stephen Heath, Screen. A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film."The semiology of film can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying
Language Notes Text: English (translation) Original Language: French
Taylor, Reader in Government, University of Essex.
A Customer said Semiotics in a New Realm. This book is a collection of essays that Metz wrote regarding the semiotics of film. It uses semiotical terms that may be unfamiliar to many readers, but its worth the effort, for one will find some very interesting insights into the nature of film as a signifier. Especially interesting segments regarding the semiotics of the traditional Hollywood film.. Lucretius Borges said The True Pioneer in Film Theory. Christian Metz's essays on film language are a milestone in semiotics and film analysis. If his terminology may be slightly hard to grasp immediately, it is because he is seeking clear and rigorously defined concepts, strongly grounded both in film practice and in structural linguistics. While structural lingusitics may no longer be a major reference in cu. Maria Rosa Mucci said Metz is the best exponent.. If you are interested in film semiotics, Metz is the best exponent.